Crag Bank Art
Ally Thompson (1955-2016) - Mantis Magdalena
Ally Thompson (1955-2016) - Mantis Magdalena
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Original Oil on Board
Ally Thompson (1955-2016) - Oil on Board
“Mantis Magdalena”
A monumental and psychologically charged work from the artist's mature surrealist period.
Key Details
Artist: Ally Thompson (1955-2016)
Title: Mantis Magdalena
Date: 2007
Medium: Oil on board
Signature: Signed lower right
Visible Artwork Size: 84 × 64 cm (33.1 × 25.2 in)
Framed Size: 110 × 90 cm (43.3 × 35.4 in)
Presentation: Framed and glazed
Condition: Excellent overall condition
Description
Mantis Magdalena is a substantial and highly distinctive oil painting by the Scottish artist Ally Thompson, one of the most individual voices to emerge from the New Glasgow Boys generation.
Painted in 2007, the work presents a powerful stylised figure rendered in Thompson's unmistakable surrealist visual language. The elongated insect-like form, symbolic eye motifs and restrained palette create an image that is both psychologically charged and visually compelling.
The title combines the symbolism of the praying mantis with the religious and historical associations of Magdalena, reflecting Thompson's long-standing fascination with mythology, spirituality, symbolism and transformation. These themes run throughout his mature work and helped establish his reputation as Glasgow's Surrealist.
At an impressive 84 × 64 cm visible image size, this is a significant exhibition-scale example with exceptional wall presence.
Presented behind glass in a substantial contemporary black frame, the painting is ready to hang.
About the Artist
Ally Thompson studied at Glasgow School of Art between 1975 and 1980, graduating with First Class Honours before undertaking postgraduate study and receiving a travelling scholarship.
He formed part of the influential generation of artists often referred to as the New Glasgow Boys, alongside figures such as Peter Howson, Ken Currie, Steven Campbell and Adrian Wiszniewski.
Thompson developed a highly individual style combining surrealism, mythology, religion, psychology and dream imagery. His paintings are instantly recognisable for their symbolic figures, graphic compositions and distinctive visual language.
A breakthrough solo exhibition at Glasgow's Barbizon Gallery brought his work to international attention, leading to exhibitions and exposure in New York and Paris.
Following his death in 2016, Thompson was widely remembered as Glasgow's Surrealist, a title reflecting his unique contribution to contemporary Scottish art.
Provenance and Notes
Signed to the front of the painting. The reverse is fully inscribed with the title Mantis Magdalena, medium, artist name and date 2007.
A rare opportunity to acquire a substantial oil painting from the artist's mature surrealist period.
