Triptych — Original Oils on Canvas
Anders Moseholm (Danish, b. 1959) — Oil on Canvas x 3
“Triptych – Building with Text Motif”
Confirmed triptych; authenticity verified by the artist and Galerie Birthe Laursen, Paris.
Key Details
Artist: Anders Moseholm (Danish, b. 1959)
Title: “Triptych – Building with Text Motif”
Date: 2002
Medium: Oil
Support: Canvas (unframed)
Signature: Signed and dated verso
Dimensions: Each canvas: 50.5 × 50.5 cm (19.9 × 19.9 in)
Condition: Excellent. Minor edge wear only. Ready to frame or hang.
Provenance: Galerie Birthe Laursen, Paris — stamped verso
Authenticity: Confirmed in writing by both the artist and the gallery
Description
Exceptional confirmed triptych by Anders Moseholm: a striking set of three original oils from 2002, each featuring an abstracted architectural motif with semi-obscured text. Unified by theme and palette, the works offer a powerful visual statement with architectural elegance. Officially stamped by Galerie Birthe Laursen, Paris; authenticity confirmed in writing by both the artist and the gallery. A rare, museum-quality set for collectors of contemporary European abstraction or buyers seeking statement architecture in art.
Size per canvas: 50.5 × 50.5 cm (19.9 × 19.9 in). Sold as a set of three.
About the Artist
Anders Moseholm (b. 1959) is a leading Danish contemporary painter, trained at the Royal Danish Academy of Fine Arts (MFA 1996) and the School of Visual Arts, New York. He is celebrated for emotionally resonant cityscapes and layered architectural abstractions exploring memory, urban rhythm, and visual distortion. Recent solo exhibitions include “Shadow Works” (Galleri Christoffer Egelund, Copenhagen, 2025), “Things Fall Apart” (Redbud Gallery, Texas, 2024), “Rörelse” (Malmö, 2023), and “Beat” (Kastrup, 2019). Public and corporate collections include LEGO, Saxo Bank, Citibank, Carlsberg Foundation, Copenhagen Business School, and the Danish Parliament. Auction results 2018–2025 show strong performance, with annual records including “The Bridge” (2021) and “Model 102# of Corrections” (2020).
Estimated Date
2002
Provenance & Notes
Painted in 2002 during Anders Moseholm’s Paris period surrounding the solo exhibition “RESONANCE.” Each canvas bears the Galerie Birthe Laursen stamp verso. Written confirmation of authenticity has been obtained from both the artist and Galerie Birthe Laursen, Paris. From a private collection.
