Crag Bank Art
James Levin Henry NEAC Oil Rural Landscape Signed 40x30cm British Impressionist
James Levin Henry NEAC Oil Rural Landscape Signed 40x30cm British Impressionist
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Original Oil Painting
James Levin Henry NEAC - Oil on Canvas
“A Rural Landscape”
Atmospheric British Impressionist landscape, signed and dated 1914, presented in an original gilt frame.
Key Details
Artist: James Levin Henry (1855–1929) — NEAC
Title: “A Rural Landscape”
Medium: Oil
Support: Canvas
Signature: Signed and dated 1914
Dimensions: Artwork: 40 × 30 cm (15.7 × 11.8 in) plus distressed gilt frame.
Condition: Artwork appears to have been overpainted near the edges top/left, most likely caused by wear from a previous frame. This could be covered by a slip or frame in future. Otherwise the artwork it is in very good condition with bright stable colours. Please see images. Frame is in good condition with normal handling wear to corners.
Provenance: From a private UK collection
Description
This atmospheric rural oil captures a peaceful riverside scene with glowing light, richly textured trees, and English countryside homes nestled beneath a soft evening sky. Painted in 1914 by British artist James Levin Henry, the work is full of charm, movement, and the natural colour palette typical of British Impressionism. Presented in its original gilt frame, ready to hang and enjoy.
Why collectors love this piece: original British Impressionist oil painting • signed and dated with a serene rural subject • elegant composition and painterly style • historically important artist with a strong exhibition record • professionally presented and ready to hang.
About the Artist
James Levin Henry (born London, 1855) was a respected British landscape painter who exhibited extensively during the Victorian and Edwardian eras, including at the Royal Academy, the Royal Institute of Painters in Water Colours, the Royal Institute of Oil Painters, and the New English Art Club (NEAC) — Britain’s leading response to the French Impressionist movement. Elected to the NEAC in 1887, he belonged to the generation that embraced looser brushwork, outdoor light, and everyday subject matter, translated into a distinctly British style. His work is held in UK public collections, including the Williamson Art Gallery and Museum.
Estimated Date
Dated 1914.
Provenance & Notes
From a private UK collection. Presented in its original gilt frame.
